Edwin Drood - The Final Page
Written the Day Before His Death
June 8, 1870
Charles Dickens spent the afternoon in the Swiss chalet at Gads Hill working on chapter 22 of The Mystery of Edwin Drood. He worked later into the afternoon than was his custom, trying to finish the chapter. He suffered a stroke that evening at dinner and died the next day without having regained consciousness (Slater, 2009, p. 612-613).
Facsimile of part of the final page of Edwin Drood - June 8, 1870
The printed text:
A brilliant morning shines on the old city. Its antiquities and ruins are surpassingly beautiful, with a lusty ivy gleaming in the sun, and the rich trees waving in the balmy air. Changes of glorious light from moving boughs, songs of birds, scents from gardens, woods, and fields - or, rather, from the one great garden of the whole cultivated island in its yielding time - penetrate into the Cathedral, subdue its earthy odour, and preach the Resurrection and the Life. The cold stone tombs of centuries ago grow warm; and flecks of brightness dart into the sternest marble corners of the building, fluttering there like wings.
Comes Mr Tope with his large keys, and yawningly unlocks and sets open. Come Mrs Tope and attendant sweeping sprites. Come, in due time, organist and bellows-boy, peeping down from the red curtains in the loft, fearlessly flapping dust from books up at that remote elevation, and whisking it from stops and pedals. Come sundry rooks, from various quarters of the sky, back to the great tower; who may be presumed to enjoy vibration, and to know that bell and organ are going to give it them. Come a very small and straggling congregation indeed: chiefly from Minor Canon Corner and the Precincts. Come Mr Crisparkle, fresh and bright; and his ministering brethren, not quite so fresh and bright. Come the Choir in a hurry (always in a hurry, and struggling into their nightgowns at the last moment, like children shirking bed), and comes John Jasper leading their line. Last of all comes Mr Datchery into a stall, one of a choice empty collection very much at his service, and glancing about him for Her Royal Highness the Princess Puffer.
The service is pretty well advanced before Mr Datchery can discern Her Royal Highness. But by that time he has made her out, in the shade. She is behind a pillar, carefully withdrawn from the Choir- master's view, but regards him with the closest attention. All unconscious of her presence, he chants and sings. She grins when he is most musically fervid, and - yes, Mr Datchery sees her do it! - shakes her fist at him behind the pillar's friendly shelter.
Mr Datchery looks again, to convince himself. Yes, again! As ugly and withered as one of the fantastic carvings on the under brackets of the stall seats, as malignant as the Evil One, as hard as the big brass eagle holding the sacred books upon his wings (and, according to the sculptor's representation of his ferocious attributes, not at all converted by them), she hugs herself in her lean arms, and then shakes both fists at the leader of the Choir.
And at that moment, outside the grated door of the Choir, having eluded the vigilance of Mr Tope by shifty resources in which he is an adept, Deputy peeps, sharp-eyed, through the bars, and stares astounded from the threatener to the threatened.
The service comes to an end, and the servitors disperse to breakfast. Mr Datchery accosts his last new acquaintance outside, when the Choir (as much in a hurry to get their bedgowns off, as they were but now to get them on) have scuffled away.
'Well, mistress. Good morning. You have seen him?'
'I'VE seen him, deary; I'VE seen him!'
'And you know him?'
'Know him! Better far than all the Reverend Parsons put together know him.'
Mrs Tope's care has spread a very neat, clean breakfast ready for her lodger. Before sitting down to it, he opens his corner- cupboard door; takes his bit of chalk from its shelf; adds one thick line to the score, extending from the top of the cupboard door to the bottom; and then falls to with an appetite (Edwin Drood, p. 277-278).
