![]() ![]() To more completely enjoy reading Dickens you must "live" in Dickens' London! In How to Read a Book, authors Mortiner J. Adler and Charles Van Doren write: "The elements of fiction are connected by the total scene or background against which they stand out in relief. The imaginative writer.creates a world in which his characters 'live, move, and have their being.' .become at home in this imaginary world; know it as if you were an observer on the scene; become a member of its population, willing to befriend its characters, and able to participate in its happenings by sympathetic insight, as you would do in the actions and sufferings of a friend." Learn more about Dickens' London... Dickens had the unique ability to take in the scenes around him and instantly commit them to memory. Every character type that he met, even casually, was indelibly etched in his mind, to be recalled on command. As he worked out complex plots, he saw it all before him, and needed only to leisurely describe it, sometimes becoming the characters before a mirror to better convey subtle facial expressions. The characters he created, drawn from an immense well of imagination and personal experience, remain unique in English literature. Characters such as Scrooge (miserly) and Pecksniff (hypocritically affecting benevolence) have become defining terms in everyday vernacular. Dickens also possessed the uncanny ability to describe inanimate objects, enlivening them with human wisdom, heroics, and shortcomings. His incredible command of the English language allowed him to describe characters and events to readers, giving them the sense that they are witnesses to the story unfolding in his imagination. His advice to aspiring writers was "make me see", and no one did it better than Dickens. Dickens' side-splitting comic style remains one of his most endearing traits to readers today. He seems to have considered it his sworn duty to bring to light all of the hypocrisies of mankind; pompous churchmen, sharp dealing businessmen, crotchety spinsters, cruel schoolmasters, and pretentious politicians were all slain with an even hand before his prodigious pen. Dickens' ability to command these gifts, together with an extraordinary skill for integrating character, plot, and theme, form the essence of his genius. Michelangelo once said that he "saw an angel in the marble and carved until I set him free", this is the same sort of genius that Dickens possessed, and so also the reason for his immortality, leaving the world something so wonderful that it is never forgotten. ![]() You know the tale, you've seen the movies, but if you haven't read the book you're missing half the story...and much of the heartwarming Christmas cheer! Dickens' little tale of human redemption is definitely worth a couple of evenings near the holidays. There are a million versions out there, make sure you get the original, or read it online at Stormfax. ![]() Use this web site as a guide as you read. From the Novels page you will find links to each novel which offer plot summaries, characters, links to other sites offering information, as well as sidebar information with interesting items about the novels. On the Characters page many of the characters from the novels are explained, some with illustrations. The Dickens' London page will help you understand the times in which the stories take place. There is also a Map of Dickens' London which points out many of the locations mentioned in the novels and a glossary of terms found in Dickens. The Bibliography page points to books used as a reference in putting this site together and The Dickens Shoppe contains links to Amazon.com where you can purchase many of these books. The Dickens on the Web page includes many good links to other sites containing information on the author as well as more scholarly sites which serve information on literary theory which is beyond the scope of this site. |
![]() Read Dickens: Early Sketches | Magazine articles | Excerpts from Major Works In the nineteenth century everyone, from Queen Victoria to the street sweepers, either read Dickens or had Dickens read to them. Reading Dickens today
is more of a challenge as many of the words he used, and the things those
words described, have fallen out of common use. Having a good reference
handy while you're reading will ensure that reading Dickens today will be
just as entertaining as it was 150 years ago. After all, they're not classics
because they're old...but because they're great! Many good Dickens references are available, I like Charles Dickens A to Z : The Essential Reference to His Life & Work by Paul Davis and The Oxford Reader's Companion to Dickens, edited by Paul Schlicke. You may have been required to read A Tale of Two Cities in school and while it is a great story, in my opinion it is among the least representative of Dickens' true genius, containing none of his trademark humor. If you really want to know why Dickens is still considered worthy of your time, read Nicholas Nickleby, David Copperfield, or Great Expectations. Want to be exposed to Dickens but are intimidated by the 900 page tomes he was famous for? Start with one of these short stories, sketches, magazine articles, and excerpts of his works that can be read in a single sitting. Early Sketches Back to Top
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![]() Charles Dickens A to Z : The Essential Reference to His Life and Work An excellent reference to keep handy when reading Dickens ![]() The Oxford Reader's Companion to Dickens Edited by Paul Schlicke (1999) The definitive Dickens reference ![]() Dickens-Public Life and Private Passion by Peter Ackroyd (2003) Illustrated biography Two paperback editions of Dickens' works provide helpful endnotes and more, helping to make reading Dickens more enjoyable: ![]() Penguin Classics ![]() Barnes & Noble Classics
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